Paarden baai’(2014-2015) is an extension of installation Paradise Park’ (2011-2014), a space falling in time, sea, ocean, life, love. Paradise Park is a dream-state, representing a space in between the Atlantic Ocean and the Caribbean Sea, connected to a hybrid globalized subject. Influenced on immigrants, heritage, and storytelling. At the same time, an allegory presenting cultural memories. The installation is inhabit with sculptures, crossing between horses, birds, fishes, plants, and human beings. Paradise Park archives metaphors that effects life, associated within a natural world, human association and bird resemblance. Species such as rotating flora and floating fauna  crossing in a solemn sound by Vangelis ‘ la petite Fille de La mer. Crossing over fiber sculptures surrounded with a character called ‘Sikkepit’. A space that unites anecdotes in deep sea water. A fantasy park where paradise energy settles time between continents, specifying a cultural and a visual language. My fascination with birds is seen in floating work’ Japanese Nightingale. A  sculpture mirroring  an inter familial hybrid, where the plants are sensitive and vulnerable and its leaves reaching out above the viewer, at the same time bordering arrangements. The Japanese nightingale is an aide-memoire, a bird that stretches, pitch and strain like a floor that has been danced upon. The exhibition highlights the senses that address the notion of time and space, and a relationship between the body, soul, and the material world. – Osaira Muyale

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Paardenbaai embodies an important part of the early history of Oranjestad; the natural harbor facilitated horse trade that dates back to the early days of Spanish colonization of Aruba. This trade in livestock and primarily horses was one of the key factors in the early development of commerce and later settlement of the town at the bay. During the following three centuries, the horse trade remained important for the island: for the Spanish period during conquest (1500’s), and later for the Dutch under the West Indian Company rule (1600’s and 1700’s) Aruba remained as what could be considered a ranch that facilitated the colonization projects. In the early Dutch Colonial period (1800’s & 1900’s) this role diminished and a shift to other industries and small scale farming became more important. Thus for over four centuries a great variety of livestock (primarily horses) was kept on the island where it remained accessible and could easily be transported to other destinations. Historic accounts relate that at times the herds would count up to thousands of horses, roaming the island. Testament to the foundational importance of this period is the simple fact that from this period onwards and to this day, almost two hundred years after the official re-naming of Playa Caballos to Oranjestad (1824), the town at the bay is still referred to as Playa and its residents are still known as Playeros, in the local language Papiamento. The importance of the Caribbean Sea and the Horse Bay is also evident in the symbolic blue color of the horses, serving as a reminder of their voyage to and from the island. A deep blue color that still bathes their skin as if they seemingly just emerged from the bay pacing forward into town confronting us with the rich identity of our past.

Renwick Heronimo

Government of Aruba Aruba Tourism Authority Mondriaan Fund UNOCA Tiara Air GenAir Prins Bernhard Cultuurfonds Fundacion Eterno